Sans Superellipse Tegaj 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, sturdy, industrial, playful, handmade, retro, impact, retro utility, handmade texture, bold branding, rounded corners, blocky, inked, soft-rectangular, irregular edges.
A heavy, blocky sans with soft-rectangular (superellipse-like) construction and generously rounded corners. Strokes are thick and largely monolinear, with compact counters that stay open enough for display sizes. Edges show subtle irregularities—like ink spread or hand-cut stencil wobble—giving the outlines a slightly organic, textured feel while keeping an overall geometric structure. Letterforms are simple and upright with squared-off terminals and a firm baseline presence; figures are similarly boxy and bold.
Best suited to bold headlines, posters, and short statements where its dense weight and rounded-block shapes can carry impact. It also fits branding marks, packaging, and signage that want an industrial yet friendly voice. For longer text, it will work more as an accent or display companion than as continuous reading copy.
The font feels tough and utilitarian, but also friendly due to its rounded geometry and slightly roughened finish. It reads as industrial and poster-ready, with a hint of hand-made character that adds warmth and approachability. Overall tone lands between retro signage and contemporary street/DIY graphics.
The design appears intended to deliver maximum presence with simple, rounded-rectangular forms, combining geometric clarity with a lightly distressed/handmade edge. It prioritizes bold legibility and visual personality for display applications.
Uppercase shapes favor strong, rectangular silhouettes, while the lowercase maintains the same chunky rhythm with minimal modulation. Punctuation and dots appear as stout, square-ish marks, reinforcing the pixel/print-block impression without becoming strictly bitmap-like.