Hollow Other Hasy 6 is a light, wide, high contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, invitations, art deco, playful, whimsical, theatrical, retro, display impact, retro styling, cutout motif, brand character, ornamental texture, stencil-like, cutout, decorative, monoline, geometric.
A decorative Latin with slender, upright stems and frequent internal knockouts that create a hollowed, cut-paper effect. Many characters alternate between fine monoline strokes and large solid lobes, producing a rhythmic high-contrast look driven more by filled shapes and negative space than by traditional thick–thin modulation. Curves are smooth and geometric, counters are often partially occluded, and several capitals incorporate stylized triangular notches and inset apertures; some letters (notably rounded forms) read as near-circles with bold segments removed. Overall spacing feels open and airy, with a display-oriented texture where each glyph has a distinct silhouette.
Best suited to short display settings where the distinctive cutouts can be appreciated—posters, headlines, event branding, and logo wordmarks. It can also work well on packaging or invitations where a retro, decorative tone is desired, but it is less appropriate for dense body text.
The font reads as vintage and stagey, with a playful, puzzle-like use of cutouts that suggests marquees, posters, and decorative titling. Its quirky internal shapes add a mischievous, handcrafted feel while still maintaining a clean, geometric backbone.
The design appears intended as a characterful display face that merges geometric construction with hollowed, irregular internal cutouts to create memorable silhouettes. The goal seems to be visual flair and period-evocative styling rather than maximum readability, using negative space as a primary decorative motif.
Legibility varies by glyph due to the irregular placement of knockouts and the occasional dominance of solid fills inside otherwise light letterforms, which can make certain characters feel more like symbols at small sizes. The numeral set continues the same cutout logic, with bold internal masses and sliced counters that emphasize pattern over neutrality.