Shadow Ifta 3 is a light, normal width, very high contrast, upright, tall x-height font.
Keywords: headlines, posters, packaging, logos, signage, retro, playful, bold, graphic, comic, dimensional effect, retro display, attention grabbing, signage style, outline, inline, drop shadow, blocky, rounded corners.
A chunky sans-serif display face built from outlined letterforms with open counters and an offset shadow that reads as a solid, stepped extrusion. Strokes are kept fairly monoline in the outline while the shadow adds a second layer of weight, creating crisp separation between face and depth. The construction favors broad, squared shapes with softly rounded corners, simplified curves, and compact apertures; curves in letters like C, G, O, and S are wide and geometric, while joins and terminals stay blunt and sturdy. Numerals and capitals feel slightly more rigid and poster-like, with consistent shadow direction and spacing that reinforces a dimensional rhythm across the set.
Best suited to large-size display use where the outline and shadow can remain clearly separated—headlines, posters, event graphics, packaging fronts, and logo wordmarks. It also works well for signage-style compositions and retro-themed branding where a dimensional, illustrated look is desired.
The combination of hollow outlines and a clear drop-shadow gives a punchy, nostalgic tone reminiscent of mid-century signage, arcade-era graphics, and comic headline lettering. It feels upbeat and attention-seeking, with a friendly sturdiness rather than elegance, emphasizing impact and fun over subtlety.
The design appears intended to deliver an instantly legible, dimensional display voice by pairing hollow letterforms with a consistent offset shadow. Its simplified geometry and sturdy shapes prioritize reproducible, print-friendly impact and a retro graphic presence.
The shadow is consistently offset and reads like a hard-edged cast or extruded depth, making the silhouette highly recognizable even at a glance. The interior white space is a core part of the design, so the overall color depends strongly on background and how tightly it’s tracked in setting.