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Free for Commercial Use

Sans Superellipse Imbif 4 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'FF Signa' and 'FF Signa Round' by FontFont, 'Croma Sans' by Hoftype, 'Bega' by Indian Type Foundry, and 'Allotrope' by Kostic (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logo design, sporty, assertive, energetic, modern, punchy, impact, motion, brand presence, display emphasis, modernity, slanted, compact, rounded, blocky, high-impact.


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A heavy, slanted sans with broad proportions and rounded-rectangle construction throughout. Forms feel compact and sturdy, with large counters and smooth, generous curves that keep the weight from feeling brittle. Terminals are mostly blunt and clean, and the diagonal stress created by the oblique angle gives letters a forward-leaning rhythm. Overall spacing reads slightly tight in display settings, emphasizing a dense, high-impact texture.

Best suited for headlines, posters, and bold branding where a strong slanted voice is desirable. It works well for sports and fitness identities, product packaging, promotional graphics, and logo/wordmark explorations that need a compact, energetic footprint. For long text or small UI sizes, its density suggests using it selectively as a display accent rather than a primary reading face.

The font communicates speed and confidence, pairing a muscular weight with a continuous forward motion. Its rounded geometry softens the aggression just enough to feel contemporary and approachable, while still reading as bold and competitive. The tone fits energetic branding where immediacy and impact matter more than subtlety.

The design appears intended to deliver maximum impact with a clean, contemporary silhouette, combining rounded-rectangle forms with an oblique stance to suggest motion. It prioritizes bold presence, cohesive geometry, and straightforward construction for attention-grabbing display typography.

The numerals share the same chunky, rounded construction and maintain strong presence at larger sizes. Curved letters like C, G, O, and S show consistent rounding, while diagonals (A, K, V, W, X, Y, Z) reinforce the dynamic, italicized stance. The overall silhouette stays cohesive across uppercase, lowercase, and figures, favoring clarity and mass over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸