Sans Superellipse Abduh 15 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'CamingoDos SemiCondensed' by Jan Fromm, 'Tioga' by Monotype, and 'Robusta' by Tilde (names referenced only for comparison).
Keywords: ui design, product branding, signage, headlines, packaging, modern, friendly, confident, clean, utilitarian, clarity, modernity, approachability, system consistency, geometric, rounded, compact, crisp, high legibility.
A compact sans with strongly geometric construction and subtly rounded outer corners, giving many forms a squarish, superellipse-like silhouette. Strokes are monolinear with minimal modulation and clean terminals, producing a stable, even texture in text. Counters are fairly open for the weight, while curves (O, C, S) read as controlled and slightly squared rather than purely circular. Uppercase proportions feel sturdy and blocky; lowercase forms are straightforward and functional, with single-storey a and g and short, efficient extenders.
Works well for interface typography and product/UI branding where clarity and a modern, rounded-geometric voice are needed. The sturdy shapes and compact proportions also suit headlines, wayfinding and signage, and packaging where a clean, confident presence is desirable.
The overall tone is contemporary and approachable, balancing a technical, engineered geometry with softened edges that keep it from feeling harsh. It reads confident and no-nonsense, with a friendly, product-oriented polish suited to modern interfaces and branding.
The design appears intended to deliver a modern geometric sans that remains approachable, using softened squarish curves to add warmth while keeping forms efficient and highly legible. Its consistent stroke weight and compact structure suggest a focus on clarity, system consistency, and contemporary versatility.
Letterforms show a consistent rhythm and spacing that stays composed at display sizes, with simplified joins and clear differentiation between characters. Numerals match the same compact, geometric language, reinforcing a cohesive system across text and figures.