Outline Umpy 2 is a light, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, signage, packaging, architectural, technical, retro, futuristic, industrial, display impact, systematic forms, sign-like clarity, modern retro, monoline, inline, double-stroke, rounded corners, open counters.
A wide, monoline outline design built from double-line strokes that create a hollow, inline effect throughout. Shapes are largely geometric with squared curves and rounded outer corners, giving bowls and rounds a soft-rectangular silhouette. Stems and arms keep consistent stroke spacing, terminals tend to be clean and blunt, and overall spacing feels generous, reinforcing the expanded proportions and airy interior. The numerals and lowercase maintain the same structural logic, with simple, stable forms and clear, open apertures.
Best suited to display settings such as headlines, posters, branding marks, and signage where the hollow stroke treatment can be appreciated. It can also work well for packaging, titles, and interface-style graphics when set with ample size and spacing to preserve the outline detail.
The overall tone feels architectural and engineered, with a sign-like clarity that reads as both retro and forward-looking. Its open, neon-tube quality suggests display typography associated with industrial labeling, sci‑fi interfaces, and streamlined art-deco-inspired graphics.
The design appears intended to deliver a clean, expanded display voice with a distinctive hollow/inline construction, prioritizing visual identity and structural consistency over dense text economy. Its geometric, squared curves and even stroke behavior point to a deliberate, system-like aesthetic meant to feel modern, legible, and stylized.
Because the letterforms are constructed from outlines rather than filled strokes, the design emphasizes internal negative space and rhythmic parallel contours; this makes it visually striking at larger sizes and on high-contrast backgrounds. Curves are intentionally squared-off, which keeps the texture uniform across straight and rounded glyphs.