Sans Faceted Ufku 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Akzentica 4F' by 4th february, 'Bourgeois' and 'Bourgeois Rounded' by Barnbrook Fonts, 'Bank Sans EF' by Elsner+Flake, and 'Celdum' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logotypes, sporty, industrial, assertive, retro, impact, motion, ruggedness, precision, chamfered, angular, blocky, slanted, compact.
A heavy, slanted sans with faceted, chamfered corners that replace most curves with clipped planes. Strokes are consistently thick with minimal modulation, producing dense, blocklike silhouettes and a strong horizontal presence. Counters tend to be squared and tightened, with angular joins and straight terminals that emphasize a machined, stencil-like construction. Spacing feels sturdy and even, and the numerals follow the same octagonal, cut-corner logic for a cohesive alphanumeric texture.
Best used for headlines, large-scale display, and bold branding where instant impact is desired. It works well on posters, sports and fitness identities, product packaging, and logo wordmarks that benefit from an angular, engineered feel. For body text, it will be most successful in short callouts or tight UI labels where strong emphasis is needed.
The overall tone is forceful and energetic, with a sporty, hard-edged attitude. Its faceted geometry reads as mechanical and tactical, lending a confident, high-impact voice that feels suited to competitive or action-oriented contexts. The forward slant adds momentum and urgency without becoming calligraphic.
The letterforms appear designed to maximize impact through mass, forward motion, and a consistent cut-corner geometry. The faceting suggests an intention to evoke machined precision and rugged energy while keeping the construction simple and highly legible at display sizes.
The design maintains a consistent facet vocabulary across rounds (C/G/O/Q/0/8/9), where corners are systematically clipped to create an octagonal rhythm. At text sizes the dense weight and squared counters create a compact, punchy color, making it more suited to short bursts than long passages.