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Sans Faceted Ukpe 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio; 'Urania' by Hoftype; 'Glimp' and 'Glimp Rounded' by OneSevenPointFive; 'Core Sans A', 'Core Sans N SC', and 'Core Sans NR' by S-Core; and 'Gogh' by Type Forward (names referenced only for comparison).

Keywords: headlines, posters, sports branding, gaming ui, packaging, sporty, industrial, aggressive, futuristic, arcade, impact, speed, toughness, tech flavor, display focus, angular, chamfered, faceted, blocky, tight apertures.


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A heavy, slanted sans with sharply chamfered corners and faceted construction that replaces most curves with planar cuts. Strokes are uniformly thick and compact, producing dense silhouettes and narrow counters, especially in rounded forms like O, Q, and 0. Terminals are consistently clipped at angles, and joins in letters like M, N, V, and W feel engineered and rigid. The overall texture is bold and rhythmic, with sturdy, slightly condensed shapes and a forward-leaning momentum.

Best suited for short, high-impact settings such as headlines, posters, logos, sports apparel graphics, and product packaging where the angular facets can read clearly. It can also work for gaming and tech interface labels when used at sufficiently large sizes and with ample spacing. For long-form text, the dense counters and strong slant may reduce readability compared to more open designs.

The faceted geometry and strong italic slant create a fast, tough tone that reads as sporty and industrial. Its hard corners and compact counters suggest a purposeful, no-nonsense voice suited to action-oriented or tech-leaning messaging. The look also hints at retro arcade or sci‑fi aesthetics through its angular, cut-metal feel.

The design appears intended to deliver maximum punch through a bold, forward-leaning stance and a consistent system of chamfered cuts. By translating curves into facets, it aims for a mechanical, high-energy look that stands out in display typography and branding.

Uppercase and lowercase share the same angular language, with single-storey forms where applicable and consistently clipped terminals that keep the design cohesive. Numerals follow the same chamfered approach, maintaining a uniform, sturdy color across mixed text. At smaller sizes, the tight apertures and counters may fill in, while larger settings emphasize the distinctive facets.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸