Sans Superellipse Ryrin 1 is a regular weight, normal width, medium contrast, italic, short x-height font.
Keywords: headlines, branding, posters, sports identity, product packaging, sporty, retro, technical, dynamic, clean, speed emphasis, retro-modern voice, industrial geometry, logo readiness, display clarity, rounded corners, oblique, boxy curves, ink-trap feel, compact.
A slanted, sans-leaning design built from rounded-rectangle curves and softened corners, giving counters and bowls a squared-off, superelliptical feel. Strokes are mostly monolinear with subtle modulation, and terminals tend to finish with blunt, gently rounded ends rather than sharp cuts. The forms look deliberately engineered: apertures are fairly controlled, joins are firm, and several letters show small notches or tight inside corners that read like functional ink-trap shaping. Overall spacing feels compact and rhythmic, with a low x-height and tall ascenders/descenders that add vertical snap in text.
Best suited to display sizes where its rounded-square construction and oblique momentum can be clearly appreciated—headlines, branding marks, posters, and sports or automotive-inspired identities. It can work for short bursts of text (taglines, callouts, UI headings) when you want a compact, energetic texture, but its strong slant and distinctive geometry make it more of a voice font than a neutral workhorse.
The tone is energetic and forward-leaning, combining a streamlined, modern sensibility with a distinctly retro display flavor. Its rounded-square geometry suggests speed, machinery, and product design, while the consistent slant keeps the voice lively and confident rather than formal.
The design appears intended to merge clean sans construction with superelliptical, industrial curves, producing an italic display face that feels fast, engineered, and brand-ready. The controlled apertures and tightened inner corners suggest an emphasis on crisp reproduction and a consistent, logo-friendly silhouette.
In the samples, the boldest impression comes from the squared curves (notably in round letters and numerals) and the repeated use of softened corners, which creates a cohesive, slightly compressed silhouette across words. The italic construction is integral to the design rather than a simple slant, producing a continuous, racing-like texture in longer lines.