Sans Faceted Bewe 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Konsens' by Hubert Jocham Type, 'Allrounder Grotesk Condensed' by Identity Letters, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, posters, headlines, team apparel, gaming titles, athletic, industrial, arcade, assertive, retro, impact, toughness, geometric, carved look, branding, octagonal, chamfered, blocky, angular, compact.
A heavy, block-built display sans that replaces curves with crisp chamfered corners and planar cuts. Strokes are consistently thick with squared terminals, producing compact counters and a sturdy, poster-like silhouette. Round forms such as C, G, O, and Q are rendered as octagonal shapes, while diagonals (A, K, V, W, X, Y) are wide and forceful, maintaining an even color and strong rhythm. Lowercase follows the same faceted construction with simplified, geometric bowls and short, sturdy joins, keeping the texture dense and highly legible at larger sizes.
Best suited to display settings where impact is the priority: sports and team identity systems, event posters, packaging callouts, and game or arcade-themed titles. It will hold up well in short phrases, logos, and large typographic statements where the angular construction can read clearly and contribute character.
The faceted geometry and hard corners give the face an athletic, industrial tone with a distinctly game-like edge. It reads as bold, no-nonsense, and energetic—evoking team marks, varsity graphics, and retro arcade or action branding rather than quiet editorial typography.
This font appears designed to deliver maximum visual punch through faceted, carved-looking letterforms that stay clean and sans-like while projecting toughness and motion. The systematic chamfers suggest an intention to mimic cut metal, stone, or athletic block lettering in a contemporary, geometric way.
The design leans on systematic corner cuts to unify the alphabet, creating consistent sparkle at joins and corners and a strong stencil-like sense of carving without actual breaks. Numerals echo the same octagonal logic, staying wide, stable, and headline-oriented.