Typewriter Arna 2 is a regular weight, wide, medium contrast, upright, tall x-height, monospaced font.
Keywords: editorial, posters, packaging, labels, credits, typewritten, retro, utilitarian, worn, human, typewriter feel, analog texture, document tone, authenticity, slab serif, inked, irregular, soft corners, blunt terminals.
A monolinear, slab-serif design with sturdy verticals and blunt, slightly flared terminals that read as mechanically produced. The outlines show subtle waviness and uneven edge bite, as if from ink spread or a lightly worn imprint, giving strokes a softly distressed perimeter without breaking the letterforms. Counters are open and simple, with generally round bowls and restrained joins; the overall rhythm is steady and evenly paced, supporting consistent texture across lines. Numerals and capitals maintain the same practical, workmanlike construction, with modest serifs and compact internal spaces that keep forms solid at text sizes.
Well suited to editorial pull quotes, captions, and short-to-medium text where a typewritten texture is desired. It also fits posters, packaging, tags, and on-screen credits that benefit from an analog, document-like voice and an intentionally imperfect imprint.
The tone is unmistakably typewritten and archival, suggesting paperwork, labels, and mid-century correspondence. Its slight roughness adds warmth and authenticity, balancing a functional, no-nonsense voice with a tactile, human imprint.
The design appears intended to capture the look of a classic typewriter strike—structured, repeatable forms paired with small inconsistencies that mimic mechanical wear and ink spread. It aims to deliver reliable readability while adding a period-evocative, tactile character.
The sample text shows a consistent baseline and even spacing, while the intentional edge irregularity creates a gentle peppering effect in paragraphs. The slab serifs and squared-off terminals keep the color dark and stable, helping the face hold together in dense copy while still feeling handmade in its impression.