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Free for Commercial Use

Sans Other Poga 3 is a bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Licencia' by K-Type, 'Refinery' by Kimmy Design, 'Grand' by North Type, 'Gemsbuck Pro' by Studio Fat Cat, 'Goodland' by Swell Type, 'Buyan' by Yu Type, and 'Blop77' by osialus (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, industrial, aggressive, retro, space saving, speed emphasis, display impact, logo use, industrial tone, condensed, oblique, angular, squared, blocky.


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A tightly condensed, forward-leaning sans with heavy, block-cut strokes and crisp, angular joins. Forms are built from straight segments and squared counters, with frequent chamfered corners and hard terminals that create a stenciled, machined feel. The rhythm is compact and vertical, while the slant and narrow apertures keep word shapes taut and kinetic; numerals and capitals read as sturdy, poster-like blocks with minimal interior space.

Best suited to short, high-impact settings such as headlines, posters, apparel graphics, sports identities, and bold packaging callouts. It can also work for directional or industrial-style signage where a compact, energetic texture is desirable, but its dense shapes favor larger sizes over extended body text.

The overall tone is fast, forceful, and utilitarian, evoking speed signage, athletic branding, and industrial labeling. Its steep slant and compressed proportions give it a sense of momentum and intensity, leaning toward a competitive, high-energy voice rather than a neutral one.

The design appears intended to deliver maximum impact in minimal horizontal space, pairing a strong slant with squared, engineered letterforms for a speed-driven display voice. The consistent angular construction suggests an aim toward a cohesive, logo-ready aesthetic that stays punchy across caps, lowercase, and numerals.

Counters are generally rectangular and tight, with a consistent preference for straight-sided geometry over curves. The lowercase follows the same compressed, angular logic as the caps, helping maintain a uniform texture in longer lines while still feeling assertive and display-oriented.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸