Sans Other Aslan 8 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, kids media, stickers, playful, handmade, quirky, friendly, comic, handmade feel, playful display, informal branding, comic tone, chunky, bouncy, rounded, irregular, informal.
A chunky, sans-based display face with rounded terminals and noticeably uneven stroke edges that mimic hand-cut or marker-drawn forms. Letterforms lean and rotate subtly from glyph to glyph, creating an intentionally wobbly baseline and a buoyant rhythm. Counters are generally open and simple, with softened corners and occasional angular joins, producing a lively mix of rounded and slightly faceted geometry. Spacing and widths feel intentionally inconsistent, reinforcing a casual, handmade texture in both uppercase and lowercase.
Best suited for short, prominent settings where personality is the goal: posters, titles, cover art, playful branding, packaging, and informal signage. It can also work for kids-oriented materials and social graphics where a handmade look adds warmth and energy. For longer passages, its intentional wobble and irregular rhythm are more effective as emphasis than as continuous reading text.
The overall tone is lighthearted and mischievous, reading as approachable rather than formal. Its irregularity gives it a crafted, spontaneous feel—more like a playful sign or comic title than a neutral text face. The bouncy rhythm adds energy and a slightly chaotic charm that suits fun, kid-friendly, or offbeat themes.
The design appears intended to deliver a bold, handcrafted voice with a comic, cut-paper vibe, prioritizing character and motion over strict consistency. Its softened shapes and lively tilt suggest a focus on cheerful display typography for expressive, informal communication.
Uppercase shapes are compact and punchy, while lowercase forms keep a simplified, single-storey feel where applicable, helping maintain a friendly silhouette at larger sizes. Numerals follow the same rounded, irregular construction and appear designed to match in color and presence rather than strict typographic uniformity.