Sans Superellipse Jevy 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Dic Sans' by CAST, 'Double Back' by Comicraft, 'Brothers' by Emigre, 'Danos' by Katatrad, 'Dalle' by Stawix, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, bold, sporty, industrial, retro, playful, impact, branding, display, signage, modernize, rounded, blocky, squarish, compact, sturdy.
A heavy, rounded-rectangle sans with squarish counters and softly radiused corners throughout. Strokes are monolinear and dense, producing compact interior spaces and strong, blocky silhouettes. Curved letters resolve into superelliptical bowls (notably in O, Q, 0, and 8), while diagonals in A, V, W, X, and Y are wide and stable, giving the face a grounded rhythm. Terminals tend to be flat and squared-off, and joins are crisp, creating a consistent, punchy texture in all-caps and mixed case.
Best suited to large-size applications where its mass and rounded-square forms can dominate: headlines, posters, event graphics, product packaging, and bold wordmarks. It also works well for sporty or industrial branding systems and short, high-contrast callouts where legibility relies on silhouette more than fine detail.
The overall tone is assertive and high-impact, with a friendly edge created by the rounded geometry. It feels sporty and poster-ready, suggesting modern industrial graphics and retro display lettering at the same time. The dense shapes and squared curves read as confident and attention-grabbing rather than delicate or formal.
The design appears intended to deliver maximum impact with minimal stroke variation, using rounded-rectangle construction to stay friendly while remaining forceful. Its consistent geometry and compact counters suggest a focus on signage-like clarity and brandable shapes rather than long-form reading comfort.
Counters are relatively small for the weight, which increases visual punch but can close up at smaller sizes. The lowercase carries the same squared-round logic as the uppercase, keeping a uniform, display-oriented voice across mixed-case settings. Numerals are similarly boxy and compact, matching the caps well for strong headline compositions.