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Free for Commercial Use

Distressed Buji 2 is a bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Grillmaster' by FontMesa, 'Bellfort' by GRIN3 (Nowak), 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Hype vol 3' by Positype, 'Gemsbuck Pro' by Studio Fat Cat, 'Cargi' by Studio Principle Type, and 'Libel Suit' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, album art, gritty, industrial, vintage, noisy, raw, aged print, high impact, retro grit, industrial flavor, analog texture, condensed, rugged, weathered, inked, posterlike.


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A condensed, heavy display face with tall proportions and tight internal spacing. Strokes are largely monolinear with subtle contrast, and terminals are mostly blunt, giving the letters a sturdy vertical stance. Throughout the alphabet and numerals, the outlines show deliberate abrasion: chipped edges, uneven sides, and occasional broken ink patches that mimic worn printing. Counters are relatively open for the width, helping the narrow forms stay legible while the distressed texture remains the dominant surface feature.

Best suited for display sizes where the distressed details can be appreciated—posters, headlines, cover art, apparel graphics, and packaging/label designs that benefit from a worn imprint. It can work for short bursts of text or subheads, but extended body copy may feel visually busy due to the constant texture.

The font projects a rough, analog attitude—like ink dragged through a dry letterpress, a stamped label, or paint that has flaked over time. Its texture adds urgency and grit, leaning toward utilitarian, handmade, and slightly aggressive tones rather than polished modern minimalism.

The design appears intended to deliver a condensed, high-impact silhouette while baking in a pre-aged print character. The combination of sturdy structure and controlled erosion suggests it was made to evoke vintage production methods and rugged environments without sacrificing overall readability.

The distressing is consistent across glyphs, creating a coherent “printed-through-wear” pattern rather than random noise, but it does introduce small variations in perceived weight along edges. The narrow rhythm makes words read as dense vertical blocks, which amplifies the impact in all-caps settings and short phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸