Sans Superellipse Omdih 3 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'GW Flatgrip' by Goodwheel Studio, 'Sztos' by Machalski, 'Merchanto' by Type Juice, and 'Marce' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, compact, assertive, industrial, poster-ready, utilitarian, space saving, high impact, clarity, modern utility, condensed, blocky, squared, rounded corners, high contrast (mass/whit.
A compact, condensed sans with heavy, uniform strokes and a tight, efficient footprint. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish softness rather than circular forms. Terminals are clean and mostly flat, apertures tend to be small, and internal spaces are sturdy and consistent, creating a dense color on the page. The lowercase is straightforward and sturdy, with simple single-storey forms and minimal modulation, while numerals follow the same blocky, superelliptical logic for strong alignment in sequences.
Best suited to headlines, posters, and large-format display where a dense, space-efficient word shape is an advantage. It can work well for signage and packaging that need bold, compact labeling, and for logo wordmarks that benefit from a sturdy, squared-round silhouette. For longer text, increased letterspacing and comfortable line spacing help maintain clarity.
The overall tone is forceful and pragmatic, with a compressed stance that feels industrial and space-saving. Its rounded-square construction adds a controlled friendliness without losing the blunt, no-nonsense impact. The result reads as confident and attention-driven, suited to messaging that needs to feel direct and substantial.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle construction to keep forms consistent and robust. Its uniform stroke and compact proportions prioritize strong presence, quick recognition, and a modern, engineered feel.
Because counters and apertures are relatively tight, the face rewards generous tracking and larger sizes where its compact rhythm can stay legible. The condensed proportions and heavy weight create strong vertical emphasis, making lines feel tall and packed even at moderate sizes.