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Free for Commercial Use

Sans Normal Mymum 16 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Croma Sans' by Hoftype, 'Nietos' by Melvastype, 'Multi' by Type-Ø-Tones, 'LFT Etica' by TypeTogether, and 'Museo Sans Display' by exljbris (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, bold, retro, impact, approachability, display clarity, brand presence, soft corners, rounded terminals, compact counters, high impact, chunky.


Free for commercial use
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This typeface is built from heavy, rounded strokes with smooth curves and softened joins that keep the silhouette friendly despite its mass. Round letters like O and C are broadly oval and open, while straight-sided forms (E, F, H, N) use sturdy, uniform stems and wide crossbars. Counters are relatively tight for the weight, giving the set a compact, punchy texture, and several glyphs show gently tapered or angled terminals that add motion without breaking the overall blocky feel. Numerals follow the same chunky, rounded construction, with clear, oversized forms designed to stay legible at display sizes.

It performs best in bold, attention-grabbing contexts such as headlines, posters, signage, and brand marks where strong shapes and immediate readability are priorities. It can also work well for packaging and promotional graphics, especially when paired with simpler supporting type to balance its dense color.

The overall tone is upbeat and approachable, with a confident, poster-like presence. Its rounded geometry and compact internal spaces read as warm and informal rather than austere, lending a subtly retro, headline-driven personality that feels energetic and inviting.

The design appears intended to deliver maximum visual impact with friendly, rounded forms—combining solid, geometric construction with softened details to keep the tone approachable. Its letterforms prioritize clear silhouettes and a punchy typographic color suited to display-driven communication.

In paragraphs of large text, the dense blackness produces strong impact and a steady rhythm, but the tight counters and heavy joins create a compact texture best suited to shorter settings. The design maintains consistent stroke behavior across uppercase, lowercase, and numerals, helping mixed-case headlines feel cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸