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Slab Contrasted Piwo 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Arcanite Slab' and 'Nuga' by 38-lineart, 'Clab' by Eko Bimantara, 'Equip Slab' and 'Shandon Slab' by Hoftype, 'Corporative Slab' by Latinotype, 'Netra' by Sign Studio, and 'Kondolarge' by TypeK (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, packaging, western, retro, collegiate, bold, friendly, impact, nostalgia, attention, sturdiness, display, blocky, bracketed, chunky, robust, softened.


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A heavy, block-constructed slab serif with broad proportions and pronounced, squared serifs. Strokes are mostly uniform with subtle shaping at joins, producing a dense, steady texture in headlines and short text. Counters are compact and rounded-rectangular, and terminals tend to finish with sturdy slabs and gentle bracketing rather than sharp points. The lowercase is sturdy and straightforward, with single-storey forms where expected and a compact, weighty presence that keeps spacing visually tight but readable at display sizes.

Best suited to display settings where a compact, high-impact texture is desirable—posters, large headlines, event graphics, and storefront-style signage. It also works well for branding and packaging that wants a vintage or Americana-inflected voice, especially when set in short lines or bold typographic marks.

The overall tone is confident and nostalgic, with clear references to vintage poster lettering and Americana sign painting. Its sturdy slabs and thick silhouettes feel assertive and dependable, while the slightly softened corners keep it approachable rather than severe. The result reads as classic, high-impact, and a bit playful.

The design appears aimed at delivering maximum visual weight and recognizability with a classic slab-serif silhouette, optimized for attention-grabbing display use. Its broad stance, sturdy serifs, and compact counters suggest an intention to evoke traditional poster and sign typography while remaining clear and consistent across common glyphs.

The face maintains strong consistency across capitals, lowercase, and numerals, with the figures matching the same chunky, poster-like color. Curved letters (like C, G, O, S) stay broad and full, avoiding delicate thinning, which reinforces the solid, print-oriented character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸