Sans Superellipse Idmul 11 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Mailuna Pro AOE' by Astigmatic, 'Hyper Fatos' by Bisou, 'Mako' by Deltatype, 'Blunt' by Miller Type Foundry, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, sports branding, signage, assertive, sporty, industrial, punchy, retro, maximum impact, bold branding, friendly strength, geometric consistency, rounded corners, blocky, compact, geometric, sturdy.
A heavy, block-first sans with softened, superellipse-like corners and largely uniform stroke weight. Counters are compact and often squared-off, producing a dense, high-impact texture. Terminals tend to be flat and straight, with minimal modulation and a consistent, upright stance. The lowercase shows simplified, chunky constructions (single-storey forms and short joins), while the numerals follow the same rounded-rectangle logic for a cohesive set.
Best suited to large-scale display work where mass and silhouette do the communication—posters, headlines, event graphics, and bold packaging. It also fits sports and fitness branding, product labels, and straightforward signage where quick recognition and strong presence are priorities.
The overall tone is loud and confident, with a utilitarian strength that reads as sporty and poster-forward. Its rounded geometry tempers the weight, giving it a friendly toughness rather than a sharp or technical feel. The result suggests energetic, no-nonsense messaging with a slight retro display flavor.
The design appears intended to deliver maximum impact with simple, geometric construction—combining blunt, rectangular structure with rounded corners for approachability. It prioritizes strong word shapes and visual punch over delicate detail, aiming for clear, emphatic display typography.
Spacing and shapes emphasize solid silhouettes over fine internal detail, which helps at large sizes but makes small internal apertures feel tight. The design keeps curves controlled and boxy, maintaining a consistent visual rhythm across letters and figures.