Sans Superellipse Domoh 1 is a bold, very narrow, monoline, upright, short x-height font visually similar to 'Expanse Nuvo' by Designova, 'Robolt' by Typesketchbook, and 'Raviona' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, signage, logotypes, packaging, industrial, retro, condensed, technical, poster, space-saving, high impact, geometric cohesion, signage clarity, brand voice, rounded, stencil-like, tall, blocky, compressed.
A tall, tightly condensed sans with monoline strokes and rounded-rectangle (superellipse) construction throughout. Curves are squared-off and softly radiused, while terminals tend to be flat and blunt, creating a compact, vertical rhythm. Counters are narrow and rectangular, with occasional slit-like openings that add a subtly cut-out, stencil-adjacent feel in letters like A and O. Uppercase and lowercase share a consistent, engineered geometry; the lowercase is compact with short ascenders/descenders relative to the overall narrow set, and the numerals follow the same rounded-rectilinear logic for strong stylistic unity.
This face performs best in headlines, posters, and large-format signage where its narrow width and heavy presence can maximize impact in limited space. It can also suit branding and packaging that aims for an industrial or retro-technological feel, and works well for short labels, titles, and interface callouts where a condensed, high-contrast silhouette is desirable.
The overall tone is assertive and utilitarian, with a hint of vintage display flavor reminiscent of signage and machine labeling. Its compressed proportions and squared curves give it a disciplined, technical voice that feels confident and attention-grabbing rather than friendly.
The design appears intended to deliver a compact, high-impact display sans built from rounded-rectilinear geometry, balancing strict vertical economy with softened corners for legibility and a distinctive voice. The consistent construction across letters and figures suggests a focus on cohesive branding and title work rather than neutral body text.
Spacing appears designed to keep lines dense and vertical, and the distinctive superelliptical rounding keeps the rigid construction from feeling harsh. The font’s personality is driven more by proportion and counter shapes than by contrast or ornament, making it visually striking even in simple text settings.