Sans Superellipse Jibek 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bunken Tech Sans' by Buntype, 'Elephantmen' by Comicraft, 'EFCO Colburn' by Ilham Herry, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, techy, industrial, sporty, assertive, compact, impact, modernity, utility, cohesion, display, squared, rounded, blocky, modular, geometric.
A heavy, squared sans built from rounded-rectangle (superellipse) shapes and mostly uniform stroke thickness. Curves resolve into broad radiused corners, with straight-sided bowls and rectangular counters, giving letters a compact, punched-in look. Terminals are blunt and clean, joins are sturdy, and the overall rhythm is tightly spaced with minimal interior detailing. Diacritics and dots (as in i/j) are rendered as small square elements, reinforcing the modular geometry.
Best suited for display settings where impact and structure matter: headlines, posters, branding marks, product packaging, and athletic or tech-themed graphics. It can also work for short UI labels or signage-style text when a dense, robust voice is desired, though its compact counters suggest avoiding very small sizes for long reading.
The tone is bold and utilitarian, with a distinctly technical and engineered feel. Its rounded-square construction reads modern and machine-made, projecting strength, stability, and a slightly retro-digital attitude reminiscent of arcade, motorsport, or equipment labeling.
The design appears aimed at delivering a bold, contemporary display sans with a unified rounded-square geometry, maximizing presence while keeping forms simple and highly consistent. It prioritizes strong silhouette and repeatable modular shapes for clear recognition in branding and large-format text.
Distinctive squarish bowls appear in letters like O, D, and P, while shapes such as S and G maintain the same rounded-corner logic for consistent texture. Numerals follow the same blocky system, favoring straight segments and softened corners for a cohesive, signage-like set.