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Sans Superellipse Jibub 7 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Digital Sans Now' by Elsner+Flake, 'RBNo3.1' by René Bieder, 'Gemsbuck Pro' by Studio Fat Cat, 'FTY Galactic VanGuardian' by The Fontry, and 'Board of Directors' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, tech, industrial, sporty, futuristic, modular, impact, brandable, systematic, modern, squared, rounded, blocky, geometric, compact.


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A heavy, geometric sans built from squared silhouettes softened by generous corner rounding. Curves read as rounded-rectangle segments rather than true circles, producing a superellipse rhythm across bowls and counters. Strokes stay consistent and solid, with clean terminals and a slightly condensed feel in many glyphs due to large internal cut-ins and tight apertures. The lowercase shows a tall, sturdy structure with simple, rectangular dots and minimal gesture, while capitals keep broad shoulders and squared curves for a strong, stable texture.

This font is best suited to large-size settings where its dense shapes and rounded-square details stay clear—headlines, posters, identity marks, product packaging, and bold signage. It can also work well in UI labels or dashboard-style graphics when used with ample spacing, where its compact apertures won’t close up.

The overall tone is assertive and utilitarian, with a contemporary, tech-forward flavor. Its rounded-square construction evokes digital hardware, athletic branding, and industrial signage—confident, compact, and built for impact rather than subtlety.

The design appears intended to deliver a high-impact, modern sans that replaces traditional round forms with a rounded-rectangular geometry. The consistent, modular construction suggests a focus on brandability and strong presence across display typography, especially in contexts that benefit from a technical or athletic voice.

Counters and apertures are often squarish and relatively small, emphasizing a dense, powerful color on the page. Diagonal forms (like in K, V, W, X, Y) feel engineered and crisp, contrasting with the soft corners elsewhere. Numerals and uppercase forms maintain the same rounded-rectangle logic, supporting a cohesive, system-like character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸