Sans Other Remah 8 is a very bold, very narrow, low contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, signage, packaging, industrial, retro, techno, noir, authoritative, impact, compactness, geometric rigor, display voice, industrial tone, condensed, geometric, squared, angular, modular.
A condensed, heavy sans with a strongly rectilinear build and squared counters. Strokes are monolinear and end in crisp, flat terminals, creating a modular, almost stencil-like rhythm even though most forms remain fully closed. Curves are minimized and often resolved into chamfered or faceted corners, with occasional pointed details (notably in letters like W/V) that add a subtle gothic edge. Spacing and proportions feel tightly engineered, producing a compact, vertical texture that reads as tall and rigid in both uppercase and lowercase.
Best suited to short, high-impact typography such as posters, headlines, title cards, packaging labels, and bold logotypes. It can also work for wayfinding or industrial-themed signage where compact width and strong presence are useful. For longer passages, its dense texture and tight apertures may be better reserved for brief emphasis or display lines.
The overall tone is industrial and imposing, blending a retro display attitude with a technical, poster-like severity. Its sharp geometry and compressed rhythm suggest signage, machinery, and high-contrast headline settings rather than casual reading. The occasional spurs and pointed joins lend a slightly ominous, noir-leaning character.
The design appears intended to deliver maximum visual impact in a compact footprint, using a strict geometric system and flattened terminals to create a disciplined, industrial voice. Its squared construction and minimal curvature emphasize solidity and control, aiming for a distinctive display sans that stands out in branding and titling contexts.
Uppercase forms maintain a consistent rectangular silhouette, while lowercase echoes the same architecture with simplified bowls and narrow apertures. Numerals follow the same squared construction, keeping the set visually uniform for titling and short numeric callouts.