Sans Superellipse Ukliy 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gemsbuck Pro' by Studio Fat Cat and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, signage, athletic, industrial, utility, authoritative, retro, impact, uniformity, emblem style, durability, stencil-like, chamfered, squared, compact, blocky.
A compact, block-driven sans with squared proportions and prominently chamfered corners that read like clipped, octagonal rounds. Curves are minimized into rounded-rectangle shapes, producing consistent superelliptic counters in letters like O, Q, and D. Strokes are heavy and even, with short, flat terminals and a generally condensed feel in the uppercase; the lowercase follows the same geometric logic with sturdy verticals and tight apertures. Numerals are similarly angular and sturdy, designed to hold up as bold blocks with clear interior cutouts.
Best suited for short-to-medium display settings where its dense, chamfered shapes can read as a strong visual stamp: headlines, posters, logos/wordmarks, packaging, and sports or team-style applications. It can also work for signage and UI labels when used at sufficient size and with comfortable spacing to preserve the tight interior shapes.
The overall tone is tough and utilitarian, with an athletic, varsity-adjacent energy. Its clipped corners and compact silhouettes suggest machinery, signage, and uniform marks, projecting confidence and impact over delicacy.
The font appears designed to translate a sturdy, engineered geometry into an all-purpose display voice—prioritizing impact, repeatable corner logic, and a uniform, industrial rhythm that remains consistent across letters and numerals.
The design relies on repeated corner angles and rectangular curves to create a cohesive rhythm across caps, lowercase, and figures. The uppercase forms feel especially emblematic, while the lowercase remains readable but keeps the same blocky personality, making mixed-case settings look deliberately engineered rather than neutral.