Sans Superellipse Hobuj 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Military Jr34' by Casloop Studio, and 'Anantason Reno' and 'Karnchang' by Jipatype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, athletic, tech, bold, utilitarian, impact, geometric clarity, robustness, modern utility, squared, rounded corners, compact, blocky, stencil-like counters.
A heavy, compact sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and uniform, with minimal modulation and tight apertures that keep interiors small and punchy. Curves resolve into squarish bowls and counters (notably in O, D, and numerals), while diagonals in A, K, V, W, and Y are straight and sturdy. The lowercase follows the same blocky logic, with a single-storey a and g, a short-shouldered r, and a square-topped t; dots and punctuation are simple and rectangular, reinforcing the geometric rhythm.
Best suited to short, high-impact settings such as headlines, posters, logos, and packaging where its dense weight and rounded-square geometry can read clearly. It also fits wayfinding and industrial or technical labeling, as well as sports-themed graphics and bold UI callouts where a compact, robust sans is desirable.
The overall tone is strong and no-nonsense, leaning toward industrial labeling and sports or team-style graphics. Its rounded-square geometry reads as modern and engineered rather than friendly, giving it a confident, assertive presence in headlines and signage.
The design appears intended to deliver maximum visual strength through a geometric, rounded-rectangle skeleton and uniform stroke weight. By prioritizing compact counters and firm terminals, it aims for a contemporary, engineered look that remains consistent across uppercase, lowercase, and numerals.
The wide, squared counters in 0 and 8 and the rectangular inner shapes across many glyphs create a distinctive “superelliptical” texture at large sizes. Spacing appears designed for impact, with forms that stay visually stable and legible even when set tightly, though the smaller apertures suggest it will look densest at small sizes or in long passages.