Sans Superellipse Utkoh 3 is a regular weight, very wide, low contrast, upright, normal x-height font visually similar to 'Arian', 'Eurostile Candy', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype; 'Aban' and 'Novin' by Naghi Naghachian; and 'Eurostile Round' by URW Type Foundry (names referenced only for comparison).
Keywords: ui, tech branding, signage, packaging, headlines, futuristic, technical, clean, calm, modern, modernization, systematization, screen clarity, friendly tech, rounded, squared, monoline, geometric, modular.
A wide, monoline sans with a superelliptical construction: round forms read as rounded rectangles with generously radiused corners and flat-ish sides. Strokes are even and sturdy, with large, open counters and a generally soft, engineered geometry rather than calligraphic modulation. Terminals are consistently rounded, curves connect with smooth tangency, and diagonals (as in V/W/X/Y) stay crisp while still respecting the softened corner language. Numerals echo the same rounded-rectangle bowls, producing a cohesive, screen-friendly silhouette across letters and figures.
Well-suited to UI labels, dashboards, and product experiences where a clean, engineered look is desired. It also fits tech-forward branding, wayfinding and signage, and contemporary packaging, and it performs strongly in headlines and display settings where its wide, rounded geometry can be a defining visual element.
The overall tone feels futuristic and technical while remaining approachable, thanks to the softened corners and spacious, even rhythm. It suggests contemporary interface design, product hardware aesthetics, and streamlined modern branding rather than editorial or traditional typographic voices.
The design appears intended to deliver a modern, technology-leaning sans that combines geometric precision with softened, friendly rounding. Its consistent stroke behavior and superelliptical forms prioritize clarity and a cohesive system feel across uppercase, lowercase, and numerals.
The design leans on a modular, rounded-rect vocabulary that keeps texture very uniform in continuous text. Bowls and apertures stay open, and the wide set gives a horizontal, confident stance that reads especially well at larger sizes and in short-to-medium text runs.