Sans Superellipse Utbis 8 is a regular weight, very wide, monoline, upright, normal x-height font visually similar to 'Aban' by Naghi Naghachian (names referenced only for comparison).
Keywords: ui, app design, product branding, tech packaging, signage, tech, futuristic, clean, rational, neutral, modernization, geometric system, interface clarity, brand neutrality, industrial tone, rounded, squared, geometric, compact, smooth.
A geometric sans built from rounded-rectangle and superellipse-like forms, with smooth corners and largely uniform stroke thickness. Counters are open and softly squared, giving letters like O, D, and Q a pill-shaped silhouette, while joins stay crisp and uncluttered. Proportions are expansive with generous horizontal presence, and curves transition into straights with minimal contrast, producing a steady, even rhythm. Numerals and capitals follow the same rounded-square logic, with simplified terminals and consistent corner radii.
Well-suited to interface typography, dashboards, and wayfinding where a modern geometric voice is desired. It also fits technology and consumer-electronics branding, packaging, and short headlines that benefit from its rounded-square motifs and wide, stable letterforms.
The overall tone is contemporary and technical, with a calm, engineered feel rather than expressive or calligraphic character. Its rounded-square geometry suggests product design, interfaces, and modern industrial branding—friendly but controlled, more functional than playful.
The font appears designed to translate a superellipse/rounded-rectangle industrial design language into a coherent text system, prioritizing consistency of geometry and a contemporary, technical neutrality. The goal seems to be a distinctive but restrained sans that reads clearly while projecting a modern, engineered identity.
The design leans on repeated radii and softly squared apertures, which keeps text looking cohesive at display sizes. Angular letters (K, V, W, X, Y, Z) are rendered with clean diagonals that contrast the rounded bowls, adding structure without breaking the smooth system.