Sans Faceted Nita 10 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'PODIUM Sharp' by Machalski, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Address Sans Pro' by Sudtipos (names referenced only for comparison).
Keywords: posters, headlines, logotypes, sports, packaging, industrial, athletic, authoritative, stenciled, retro, impact, space saving, geometric voice, signage feel, angular, octagonal, squared, condensed, blocky.
A condensed, heavy display sans built from sharp planar facets rather than smooth curves. Strokes terminate in clipped, chamfered corners that create an octagonal silhouette across round letters like O, C, and G, while verticals remain dominant and counters stay compact. The overall rhythm is tight and vertical, with squared bowls and narrow apertures; diagonals (A, V, W, X, Y) are straight and weighty, producing a sturdy, poster-friendly texture. Numerals follow the same faceted construction, with uniform heft and simplified interior shapes that emphasize solidity over delicacy.
Best suited to large-scale display work such as headlines, posters, event graphics, sports branding, and packaging where the angular silhouette can carry the message. It also works well for short, high-impact labels or UI headers when strong presence is needed, but it is less comfortable for long-form reading due to its condensed width and tight counters.
The faceted geometry reads assertive and no-nonsense, evoking industrial labeling and competitive sports typography. Its rigid angles and compact width give it a commanding, built-to-last tone with a slightly retro, varsity-adjacent flavor. The overall impression is bold, mechanical, and attention-grabbing.
The font appears designed to deliver a compact, high-impact voice using a consistent system of chamfered corners and flattened curves. Its construction prioritizes strong vertical presence, easy punch at distance, and a cohesive geometric motif that stays recognizable across letters and numerals.
The design relies on consistent corner chamfers to unify the set, making even traditionally curved glyphs feel architectural. Tight internal spaces and minimal modulation can cause letters to visually merge at small sizes, while larger settings amplify the distinctive faceted silhouette.