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Free for Commercial Use

Sans Other Pydu 5 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Morgan Tower' by Feliciano, 'PAG Syndicate' by Prop-a-ganda, and 'Jetlab' by Swell Type (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, sportswear, industrial, poster, techno, authoritative, urban, compact impact, industrial voice, signage utility, retro tech, condensed, blocky, square, angular, monolinear.


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A condensed, heavy block sans with rigid, rectangular construction and mostly square corners. Strokes are consistently thick and monolinear, with tight apertures and compact counters that read as vertical slots in letters like B, D, O, and P. The curves that do appear are strongly squared-off, producing a chiseled, stencil-like rhythm without actual breaks. Spacing is compact and the overall texture is dense and dark, emphasizing verticality and a strong columnar cadence across lines.

Best suited to short display settings where density and impact are desirable: posters, headlines, packaging, branding wordmarks, and bold signage. It can also work well for sportswear graphics, event promotions, and techno/industrial-themed visuals where a compact, forceful texture supports the message.

The overall tone is tough and utilitarian, with a distinctly industrial, poster-forward presence. Its narrow, hard-edged forms suggest machinery, signage, and urban graphics, giving text a commanding, no-nonsense voice. The squared geometry also leans techno, evoking retro-futurist and arcade-era display aesthetics.

The design appears intended to maximize visual weight and presence in a compressed footprint, using squared geometry and tight counters to create a strong, industrial display voice. Its consistent stroke system and modular shaping suggest a focus on reproducible, sign-like forms that hold up in bold, high-contrast applications.

The distinctive, slot-like counters and minimal openings increase the font’s impact at larger sizes while making small sizes feel compressed. Numerals and uppercase share the same rigid geometry, producing a consistent, modular feel in alphanumeric strings and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸