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Serif Contrasted Ulta 4 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Chamberí' by Extratype, 'FS Ostro' and 'FS Ostro Variable' by Fontsmith, 'Zesta' by Indian Type Foundry, and 'Abril' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, magazine, branding, packaging, editorial, luxury, dramatic, fashion, classical, display impact, refined elegance, editorial tone, luxury branding, didone-like, hairline serifs, vertical stress, sharp terminals, crisp joins.


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A sharply contrasted serif with strong vertical stems and extremely fine hairlines, creating a distinctly cut-and-polished silhouette. Serifs are delicate and pointed with minimal bracketing, and curves show a pronounced vertical stress that emphasizes thick–thin transitions. Counters are compact and the overall rhythm is dense, with crisp joints and narrow apertures that keep the texture dark and cohesive. Numerals and punctuation follow the same high-contrast logic, with thin entry strokes and bold bodies that read as display-oriented rather than text-focused.

Best suited to display contexts where its fine hairlines can be preserved: magazine headlines, fashion and beauty branding, luxury packaging, event posters, and statement logotypes. It can work for short pull quotes or large-size editorial subheads, but is less appropriate for long passages at small sizes due to the intense contrast and dense texture.

The font conveys an editorial, high-fashion tone—confident, formal, and intentionally theatrical. Its razor-thin details and dramatic modulation suggest sophistication and prestige, while the heavy main strokes add authority and impact. Overall it feels refined and classic, with a slightly couture, headline-forward attitude.

The design appears intended to deliver classic high-contrast elegance with maximum visual drama. It prioritizes refined hairlines, vertical emphasis, and a compact, impactful color for attention-grabbing typography in premium editorial and brand settings.

In continuous setting the delicate hairlines and tight internal spaces can visually fill in at smaller sizes, but at larger sizes the thin details and sharp terminals become a defining feature. Rounded letters like O and C show strong thick–thin contrast, and letters with diagonals (V, W, X) retain a crisp, carved quality without softening the stress.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸