Sans Other Jiha 5 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: display, headlines, logos, game ui, posters, tech, arcade, industrial, futuristic, schematic, tech styling, modular forms, impactful display, industrial labeling, octagonal, chamfered, square, modular, angular.
A blocky, geometric sans built from straight, uniform strokes and sharp 45° chamfers. Curves are largely replaced with squared counters and clipped corners, producing octagonal silhouettes in letters like O/C/D and similarly faceted bowls throughout. The construction feels modular and grid-driven, with compact apertures, crisp terminals, and consistent stroke joins that emphasize a mechanical rhythm. Uppercase forms read as sturdy and architectural, while lowercase echoes the same squared logic with simplified bowls and tight internal spaces; numerals follow suit with strong, angular outlines and high contrast between filled strokes and negative counters.
Best suited for display sizes where its chamfered geometry and squared counters can read clearly—titles, branding marks, packaging accents, and technology-themed posters. It also fits interface-style applications such as game UI, dashboards, and on-screen labels where a mechanical, modular tone is desired.
The overall tone is distinctly techno and arcade-adjacent, evoking digital hardware, sci‑fi interfaces, and industrial labeling. Its sharp geometry and closed counters create an assertive, no-nonsense voice that feels engineered rather than handwritten or humanist.
The design appears intended to translate a rigid, engineered aesthetic into a readable sans by systematically replacing curves with straight segments and clipped corners. The goal seems to be a cohesive techno voice with strong silhouettes and a consistent modular logic across letters and numerals.
The faceting is applied consistently across the set, giving the alphabet a cohesive “cut metal” or “pixel-bevel” impression without actual pixel stepping. Tight counters and squared apertures increase the sense of density, especially in letters with multiple enclosed spaces, which can make the texture feel compact in longer lines.