Font Hero

Free for Commercial Use

Shadow Upby 5 is a very light, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, branding, album art, game ui, futuristic, glitchy, tech, edgy, experimental, display impact, digital aesthetic, disrupted forms, depth effect, visual texture, stencil-like, cut-out, angular, geometric, fragmented.


Free for commercial use
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This typeface is built from extremely thin, crisp strokes that are repeatedly interrupted by deliberate cut-outs, creating a segmented, stencil-like construction. Many curved forms are partially opened and notched, while straight strokes end in sharp, angled terminals; the overall geometry feels modular and engineered rather than calligraphic. A consistent offset/echo detail reads as a subtle shadow-like duplication in places, adding depth and motion without adding real weight. Spacing and letterfit appear relatively open, and the fragmented joins produce a lively, broken rhythm across both uppercase and lowercase.

Best suited to display settings where its segmented strokes and shadow-like offsets can be appreciated—posters, titles, editorial openers, and identity work for tech, music, or fashion. It can also function as an accent type in UI or motion graphics when used at larger sizes with generous spacing.

The cut-and-shift construction gives the font a digital, experimental tone—suggesting interfaces, synthetic systems, and a controlled kind of distortion. It feels fast, tech-forward, and slightly abrasive, with a sci-fi edge that prioritizes attitude over warmth.

The design appears intended to reinterpret a geometric sans through systematic cut-outs and offset echoes, producing a high-impact, contemporary display face. Its visual logic emphasizes constructed forms, disruption, and depth effects to create a recognizable, modern texture.

In text, the repeated gaps and offset details create strong texture and a distinctive pattern, but they also reduce continuity in small sizes and at long reading lengths. The numerals and punctuation carry the same interrupted logic, reinforcing a cohesive visual system across the set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸