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Free for Commercial Use

Outline Tige 3 is a very light, wide, medium contrast, upright, normal x-height font.

Keywords: headlines, branding, posters, packaging, book covers, whimsical, airy, storybook, delicate, eccentric, decorative display, vintage flavor, hand-drawn charm, lightness, distinctive texture, monoline, hand-drawn, outline, spurred, flared.


Free for commercial use
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This font is built from a single, very thin outline stroke that draws the exterior contour of each letterform, producing a crisp hollow interior throughout. Proportions feel generously open with slightly irregular, hand-rendered geometry: curves wobble subtly, terminals vary in tension, and many stems show small flares or spur-like feet that suggest pen pressure without filling in. Serifs are minimal and inconsistent in a deliberate way—more like small hooks, wedges, or tapered nicks than classical bracketed forms—while round letters maintain a tall, oval rhythm. The overall spacing reads loose and breathable, with punctuation and figures matching the same fine-line contour style.

Best suited to display settings where the fine outline can remain intact: headlines, titling, logos, invitations, and ornamental packaging. It can also work for short editorial or book-cover lines when set large with comfortable tracking, but it is less appropriate for dense body text or small UI labels due to its delicate, open contours.

The tone is lighthearted and curious, combining a vintage bookish flavor with a playful, sketchy charm. Its hollow construction and wiry outlines give it an ephemeral, decorative presence rather than a utilitarian one, lending text a gentle theatricality.

The design appears intended to deliver a decorative, hand-drawn outline serif with a vintage-leaning, storybook personality. The goal seems to be visual character and airiness—using hollow letterforms, subtle irregularities, and small flares to create an expressive, memorable texture in display typography.

Several glyphs show distinctive idiosyncrasies—looped or curled terminals (notably in lowercase forms like g, j, y) and slightly decorative caps (such as Q and R)—which enhances personality but can introduce visual noise at smaller sizes. The numbers follow the same outlined, lightly flared construction, keeping the set cohesive for display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸