Sans Normal Jiduk 2 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Imperial' and 'Linear' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, modern, assertive, dynamic, clean, impact, motion, clarity, modernity, slanted, rounded, compact, high-impact, smooth.
A heavy, right-slanted sans with rounded, elliptical construction and smooth joins. Strokes feel uniform with moderate contrast and softly blunted terminals, giving curves a clean, polished edge rather than sharp calligraphic cuts. The italic angle is consistent across caps, lowercase, and numerals, producing a forward rhythm and compact word shapes. Counters are generally open and legible at display sizes, while the overall texture stays dense and energetic due to the weight and tight-looking internal spacing.
This font is a strong choice for headlines, posters, and brand marks where forward motion and impact are desirable. It works well for sports and lifestyle graphics, promotional materials, and packaging callouts that need quick readability with a dynamic stance. For longer passages, it is likely most effective in short bursts such as subheads, pull quotes, and navigational labels.
The overall tone is confident and energetic, with a sporty, contemporary flavor. Its slant and mass create urgency and motion, while the rounded geometry keeps it approachable rather than aggressive. The result feels well-suited to attention-grabbing headlines that still want a clean, modern voice.
The design appears intended to deliver a bold, modern italic voice built from rounded sans forms, emphasizing speed and presence while keeping letterforms clean and broadly legible. Its consistent slant and simplified shapes suggest an aim toward versatile display use across branding and advertising contexts.
Capitals appear sturdy and simplified with broad curves and minimal ornamentation, and the numerals match the same sturdy, rounded logic for visual consistency. The design reads best when given room to breathe, as the weight and slant can visually amplify tight line spacing or dense setting.