Sans Superellipse Hanoy 2 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Bunken Tech Sans' by Buntype, 'Digital Sans Now' by Elsner+Flake, 'RBNo3.1' by René Bieder, 'Celdum' by The Northern Block, and 'Digital TS' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, tech, futuristic, industrial, sporty, utilitarian, modernization, impact, tech tone, labeling, rounded corners, squared curves, monoline, stencil-like, geometric.
A heavy, monoline sans built from rounded-rectangle and superellipse-like shapes, with consistently softened corners and broad, squared bowls. Curves tend to flatten into straight-ish segments, creating a compact, engineered feel, while diagonal strokes (V, W, X, Y, K) keep crisp terminals and controlled joins. Counters are mostly rectangular with generous rounding, and apertures are relatively tight, giving the face a dense, sign-ready texture. Lowercase forms show simplified, single-storey constructions and a strong x-height presence, and the numerals follow the same squared-round logic with prominent, stable silhouettes.
This style works best for short to medium-length settings where impact and a contemporary technical voice are desired—headlines, posters, product branding, packaging, and wayfinding or interface-style labeling. It can also serve as a strong supporting sans for logos and wordmarks that benefit from rounded-rect geometry.
The overall tone reads modern and technical, with a slightly futuristic, equipment-label character. Its rounded geometry softens the impact, but the squared curves and tight apertures keep it feeling purposeful and industrial rather than playful.
The font appears designed to translate superelliptic, rounded-rect forms into a bold, legible alphabet that feels engineered and contemporary. The intention seems to balance a friendly, softened edge with a sturdy, modular structure suitable for prominent display use.
The design relies on consistent corner radii and broad stroke mass to maintain clarity, especially in boxy letters like C, D, O, Q, and the digits. Distinctive, angular diagonals and compact punctuation spacing in the sample text reinforce a pragmatic, display-first rhythm.