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Free for Commercial Use

Sans Normal Libon 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Nort' by FontFont; 'Epoca Pro', 'Orgon Plan', and 'Qubo' by Hoftype; 'Nusara' by Locomotype; and 'Fact' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, dynamic, modern, energetic, impact, motion, attention, display, promotion, oblique, chunky, rounded, compact, high-impact.


Free for commercial use
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A heavy oblique sans with compact, rounded letterforms and a steady, low-contrast stroke. Curves are smooth and broadly circular (notably in O/C/G and the bowls of B/P/R), while joins and terminals are clean and blunt, keeping the silhouette solid and continuous. Spacing is relatively tight and the rhythm is dense, producing a strong, poster-like texture; counters are open enough to hold up at display sizes but feel intentionally compressed for impact. Numerals match the weight and slant, with bold, simplified shapes and sturdy diagonals.

Best suited to headlines, short slogans, and large-format copy where the weight and slant can do the heavy lifting. It works well for sporty branding, promotional graphics, packaging callouts, and signage that needs to feel fast and emphatic. For small text or long reading, the dense texture may feel heavy, so it’s most effective in display roles.

The overall tone is forceful and kinetic, with an athletic, forward-leaning urgency. Its rounded construction keeps it friendly and approachable, but the mass and slant read as confident and promotional—more shout than whisper. The texture feels contemporary and action-oriented, suited to attention-grabbing messaging.

The design appears intended to deliver maximum impact with a modern, rounded sans structure and a strong oblique stance. It prioritizes immediacy and motion, creating a bold, cohesive typographic voice for energetic, attention-led communication.

The italic angle is pronounced enough to create momentum in longer lines, and the bold weight makes word shapes read as dark, unified blocks. Round punctuation and generous curves help prevent the design from feeling brittle despite the compact set and tight internal spaces.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸