Sans Superellipse Ordug 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'FX Neofara' by Differentialtype, 'Gubia' by Graviton, 'Avionic' by Grype, 'Goodland' by Swell Type, and 'FTY Konkrete' by The Fontry (names referenced only for comparison).
Keywords: posters, headlines, signage, branding, sportswear, industrial, techno, condensed, authoritative, sporty, space saving, high impact, systematic geometry, modern display, squared, rounded corners, modular, geometric, compact.
A compact, heavy sans with a squared–rounded (superellipse) construction and consistent stroke weight. Curves resolve into rounded-rectangle bowls and corners, producing a blocky silhouette with softened terminals. Proportions are tight and tall, with short crossbars and enclosed counters that read as rectangular apertures; spacing feels economical and vertical rhythm is emphasized. The lowercase follows the same engineered geometry, with a single-storey a and g and sturdy, straight-sided forms that maintain a uniform, poster-friendly texture in lines of text.
Best suited to display settings where impact and compact width matter: posters, headlines, packaging, badges, and sports or tech branding. It can also work for short UI labels or wayfinding-style signage where a strong, condensed presence is needed, but its dense weight and tight apertures make it less ideal for long-form reading at small sizes.
The overall tone is industrial and modern, with a sporty, utilitarian confidence. Its compressed, squared shapes suggest machinery, wayfinding, and tech interfaces rather than editorial warmth, giving it an assertive, no-nonsense voice.
Likely designed to deliver maximum visual punch in limited horizontal space while maintaining a consistent geometric system. The rounded-rectangle logic and uniform weight point to an intention of creating a contemporary, functional display sans with a technical, industrial flavor.
Roundings are subtle but consistent, preventing harshness while keeping a strong, stamped look. The numerals and capitals share the same boxy logic, helping mixed alphanumeric settings feel cohesive and systematic.