Sans Normal Kunub 1 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Core Sans C', 'Core Sans CR', and 'Core Sans G' by S-Core; 'Clarika Office' and 'Clarika Pro' by Wild Edge; and 'Caros' and 'Caros Soft' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, confident, dynamic, friendly, modern, impact, momentum, visibility, contemporary branding, oblique, geometric, rounded, compact, high-impact.
A heavy, oblique sans with smooth, rounded construction and low-contrast strokes. Letterforms lean consistently to the right, with compact apertures and softly curved joins that keep the texture dense and even. Counters tend toward circular/elliptical shapes (notably in O, o, and e), while terminals are clean and blunt rather than calligraphic. The numerals follow the same robust, slanted rhythm, giving the set a cohesive, forward-leaning silhouette.
Best suited to headlines and short bursts of copy where its weight and slant can create impact quickly. It works well for branding systems that want motion and confidence—such as sports, fitness, streetwear, or tech-forward marketing—and can also support bold packaging and promotional graphics. In longer text, it will be most effective at larger sizes where the compact apertures remain clear.
The overall tone is energetic and assertive, with a sporty, contemporary feel. Its strong weight and steady slant suggest speed and momentum, while the rounded geometry keeps it approachable rather than aggressive. The result reads as modern, confident, and attention-grabbing.
The design appears intended to deliver a strong, modern sans voice with built-in motion from an oblique stance. By pairing rounded, geometric forms with a dense, heavy stroke, it aims to balance friendliness with high visibility for display and brand-led applications.
Spacing appears moderately tight for the weight, producing a solid text color in lines of copy. The oblique angle is pronounced enough to read as intentional and expressive, not merely a slight slant, which makes the face feel more like a display-forward sans even when set in longer phrases.