Sans Superellipse Pokaz 9 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Western Sans JNL' by Jeff Levine and 'Brondi' by System B (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, assertive, retro, condensed, space saving, maximum impact, signage clarity, geometric cohesion, rounded corners, vertical, compact, blocky, high impact.
A tall, tightly condensed sans with heavy, uniform-looking strokes and rounded-rectangle construction throughout. Curves resolve into squared-off bowls and corners, giving round letters an almost superelliptical, capsule-like feel, while verticals stay straight and dominant. Counters are compact but kept open enough for clarity at display sizes, and terminals are generally blunt with softened corners rather than sharp cuts. The overall rhythm is strongly vertical and compact, with minimal horizontal spread and consistent, poster-like color.
Best suited for high-impact display settings such as posters, headlines, logotypes, packaging callouts, and signage where vertical economy and bold presence are helpful. It can also work for sports/entertainment graphics and condensed mastheads where a compact, forceful tone is desired.
The font reads loud and utilitarian, with a sporty, headline-forward tone that recalls industrial signage and mid-century display typography. Its rounded corners temper the severity of the condensed proportions, adding a friendly, toy-block softness without losing impact. Overall it feels energetic, confident, and built to grab attention quickly.
The design appears intended to deliver maximum impact in limited horizontal space, using superelliptical geometry and rounded corners to keep the condensed, heavy forms cohesive and approachable. It prioritizes strong silhouette, consistent texture, and quick readability at larger sizes.
Uppercase forms emphasize tall stems and narrow joins; rounded letters like O/Q/C appear more like rounded rectangles than true ovals. Numerals follow the same condensed, blocky logic and remain visually consistent with the caps. The sample text shows strong word-shape uniformity and dense texture, which can amplify presence but may feel heavy in long passages.