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Free for Commercial Use

Sans Superellipse Omlez 5 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'JetJaneMono' by Ingrimayne Type and 'Karben 205 Mono' by Talbot Type (names referenced only for comparison).

Keywords: code ui, terminal, labels, signage, posters, technical, utilitarian, retro, industrial, clean, system typography, technical clarity, grid discipline, retro-tech tone, rounded, squared, crisp, sturdy, compact.


Free for commercial use
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A geometric sans with squared, superelliptical curves and a consistent stroke presence. Round letters like C, O, and Q read as rounded-rectangle forms, while straight-sided letters (E, F, H, I, L, T) stay rigid and planar, creating a tight, engineered rhythm. Corners are softened rather than sharp, and terminals tend to be blunt, giving the design a sturdy, tool-like finish. Numerals follow the same squared-rounded construction with simple, highly legible silhouettes.

Well-suited to contexts that benefit from strict alignment and predictable letter spacing, such as code-like UI treatments, terminals, data displays, and technical labeling. It can also work effectively for bold headlines, industrial branding accents, and poster typography where a retro-tech, engineered feel is desired.

The overall tone feels functional and systematic, with a slight retro-tech flavor reminiscent of labeling, instrumentation, and early digital/industrial typography. Its disciplined spacing and squared curves convey order, clarity, and a no-nonsense attitude.

The font appears designed to prioritize clarity and repeatable geometry, using rounded-rectangle curves to keep forms friendly while maintaining an engineered, grid-based discipline. It aims for dependable legibility and a cohesive, systematized voice across letters and numerals.

Uppercase forms are tall and compact with minimal flourish, while lowercase maintains the same geometric logic and a simple, workmanlike structure. The design stays visually consistent across letters and figures, emphasizing uniformity over calligraphic contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸