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Serif Normal Pijo 10 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Tenez' by Plau (names referenced only for comparison).

Keywords: headlines, magazines, book covers, posters, branding, editorial, dramatic, classic, formal, literary, impact, refinement, expression, editorial voice, heritage feel, bracketed, ball terminals, soft serifs, swash tail, sculpted.


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This is a display-leaning serif with pronounced thick–thin modulation and a broad, confident stance. The serifs are bracketed and often taper into sharp points, while many curves end in rounded ball-like terminals that add a sculpted, calligraphic finish. Counters are generous and the rhythm is lively, with noticeably varied stroke widths and occasional flare at joins, giving the letters a carved, high-ink-contrast look. The lowercase shows a moderate x-height with assertive ascenders/descenders, and several forms (notably g, j, and Q) feature distinctive tails that reinforce a more decorative text color.

It works especially well for headlines, magazine titles, and editorial layouts where high contrast and distinctive terminals can carry the voice. It can also suit book covers, posters, and branding that wants a classic serif foundation with added drama and personality, particularly at medium-to-large sizes.

The overall tone feels editorial and dramatic—traditional at its core, but energized by expressive terminals and a slightly theatrical contrast pattern. It reads as polished and literary, evoking bookish refinement, fashion mastheads, and classic print sensibilities while still feeling attention-grabbing in larger settings.

The design appears intended to modernize a conventional serif structure with heightened contrast and expressive finishing details, balancing familiarity with a more display-forward presence. Its distinctive terminals and sculpted curves suggest a goal of creating memorable, high-impact typography for prominent text rather than purely utilitarian reading sizes.

In the sample text, the strong contrast and tapered details create a dense, dark typographic color that commands the page. The numerals and capitals carry the same sculpted logic as the letters, helping headings and short lines look cohesive, while the more idiosyncratic tails can become a prominent stylistic feature when tracking is tight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸