Sans Contrasted Manu 11 is a regular weight, very wide, medium contrast, upright, normal x-height font visually similar to 'Graphite' by Adobe (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, game ui, retro futurist, techno, playful, sleek, space age, display impact, sci-fi styling, brand distinctiveness, retro modernity, rounded, flared, geometric, stylized, streamlined.
A stylized sans with broad proportions and gently flared terminals that create a tapered, aerodynamic feel. Strokes show visible thick–thin modulation, especially on curves and horizontal joins, producing a slightly calligraphic rhythm while staying clean and geometric. Counters are generous and rounded (notably in O, Q, and 8), and many shapes lean on smooth arcs paired with crisp, angled cuts; diagonals in V/W/X/Y are sharp and symmetrical. The overall construction is consistent and display-oriented, with a wide set and open spacing that keeps forms readable at larger sizes.
Best suited for headlines, branding marks, and short bursts of copy where the wide stance and stylized contrast can read as a deliberate voice. It performs especially well in entertainment and tech-forward contexts—posters, packaging, game or app UI headings, and event graphics—where a retro-futurist mood is desired.
The letterforms suggest a retro-futurist, space-age tone—confident and modern with a playful, sci‑fi edge. The flared strokes and rounded geometry feel energetic and slightly theatrical, making the font well suited to expressive, attention-grabbing typography rather than neutral text setting.
The design appears intended to deliver a distinctive, space-age display voice by combining wide, rounded geometry with flared, contrasted strokes. Its goal seems to be strong silhouette identity and a sleek, dynamic rhythm that stands out in branding and titling.
Uppercase and lowercase share the same streamlined logic, with single-storey a and g reinforcing the geometric personality. Numerals are rounded and bold in presence, with distinctive inner shaping (notably 6/8/9) that matches the curved, tapered stroke treatment seen across the alphabet. Overall, the design favors smooth continuity and silhouette clarity over strict uniform stroke widths.