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Outline Ufwa 3 is a light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, signage, invitations, vintage, playful, whimsical, hand-drawn, decorative, decorative display, vintage feel, hand-lettered look, lightened color, inline, monoline, bracketed serifs, soft terminals, organic.


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This typeface is an outlined, inline serif with monoline contours and a consistent hollow construction that reads as a double-stroked drawing. Serif forms are lightly bracketed and slightly flared, with gently irregular curves and subtly uneven joins that create an organic, hand-rendered rhythm. Proportions are fairly classic, with moderate caps and a normal-feeling x-height; rounds stay open and airy because the interior counter is defined by the outline rather than filled strokes. Figures follow the same outline logic and have a slightly quirky, calligraphic swing in their curves and terminals.

Best suited to display use such as headlines, posters, packaging, and signage where the outlined look can be appreciated at larger sizes. It also works well for invitations, labels, and themed collateral that benefits from a vintage or handcrafted feel. For longer passages, it performs more comfortably in short pulls or emphasized lines rather than dense body copy.

The overall tone is vintage and whimsical, like lettered signage or an old book display face redrawn with a lighter, playful touch. Its hollow, double-line construction gives it a crafty, illustrative personality that feels charming rather than formal. The slightly irregular detailing keeps it approachable and adds a handmade warmth.

The design appears intended to deliver a classic serif skeleton with a distinctive hollow, inline rendering, combining familiar proportions with a decorative, illustrated finish. Its consistent contour logic and gentle irregularities suggest it was drawn to evoke handcrafted print and signage traditions while staying readable in display contexts.

In text settings, the outlined construction reduces apparent weight and increases texture, so spacing and line breaks benefit from generous sizes and comfortable leading. The most successful impressions come from short phrases where the inline contour can remain crisp and the decorative detailing doesn’t crowd neighboring letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸