Sans Superellipse Vuny 11 is a regular weight, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, branding, packaging, signage, ui display, futuristic, tech, industrial, clean, retro sci-fi, tech aesthetic, geometric consistency, display clarity, systematic forms, rounded, squared, extended, geometric, streamlined.
A geometric sans with rounded-rectangle (superellipse) construction, producing squarish counters and softly radiused corners throughout. Strokes are monolinear and even, with a broad, extended stance and generous horizontal proportions. Curves resolve into flattened arcs rather than perfect circles, and terminals tend to be blunt and clean. The lowercase maintains clear, open forms with a straightforward two-storey-less, single-storey feel where applicable, and the numerals echo the same squarish, rounded geometry for a consistent alphanumeric texture.
Best suited to display settings where its extended proportions and superelliptical shapes can be appreciated—such as tech branding, product logos, packaging, wayfinding, and interface titles or dashboards. It can also work for short passages in posters or marketing copy when a futuristic, engineered voice is desired.
The overall tone feels modern and technical, with a distinct retro-futurist flavor reminiscent of instrumentation, sci‑fi interfaces, and engineered product markings. Its squared-round geometry reads confident and efficient rather than friendly or casual, giving text a sleek, machine-made cadence.
The font appears designed to translate rounded-rectangle geometry into a functional, legible sans with a strong technological character. By keeping stroke weight even and relying on consistent radiused corners, it aims for a contemporary display voice that stays clean and systematized across letters and numerals.
The design leans on repeated rounded-rectangle motifs (notably in bowls and counters), which creates a cohesive rhythm across caps, lowercase, and figures. Wide letterforms and compact joins keep lines looking stable and planar, emphasizing horizontal flow in words and headlines.