Sans Superellipse Wije 3 is a bold, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, logotypes, branding, packaging, posters, futuristic, techy, sporty, bold, confident, modern identity, tech aesthetic, display impact, geometric consistency, streamlined forms, geometric, rounded, squarish, streamlined, extended.
A geometric sans with a pronounced extended stance and a superellipse construction: bowls and counters read as rounded rectangles with consistent curvature and smooth joins. Strokes are monolinear and sturdy, with broad horizontals and simplified terminals that keep silhouettes clean. The uppercase forms are wide and stable, while the lowercase maintains an even rhythm with compact apertures and rounded shoulders; figures echo the same squarish-round logic, with the 0 as a rounded rectangle. Diacritics and punctuation aren’t shown, but the overall set presents a coherent, modular system built from repeated radii and straight segments.
Best suited to display applications where its extended proportions and superelliptical shapes can define a strong identity—headlines, logos, product branding, packaging, posters, and tech-forward graphics. It can work for short UI labels or signage when a modern, geometric tone is desired, but its width is most effective when space and impact are available.
The tone is modern and engineered, leaning toward a sci‑fi and product-interface feel rather than humanist warmth. Its wide, rounded-rect geometry suggests speed, technology, and contemporary industrial design, with a confident presence that reads instantly in short bursts of text.
The likely intention is to deliver a distinctive, contemporary sans built from rounded-rectangle geometry—prioritizing clarity at larger sizes and a recognizable, tech-oriented silhouette. The consistent curvature and simplified construction aim for a cohesive system that feels engineered and brand-ready.
The design language is especially evident in C/G/S-style curves that flatten slightly into straights, and in bowls like O/Q that feel more like soft-cornered boxes than circles. Spacing appears generous and the wide proportions create a strong horizontal flow, which can emphasize a sleek, panoramic look in headlines.