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Free for Commercial Use

Sans Superellipse Olrah 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' and 'Yummo' by Dharma Type, 'Neusa Neu' by Inhouse Type, 'Conthey' and 'Conthey Inline' by ROHH, and 'Yoshida Soft' by TypeUnion (names referenced only for comparison).

Keywords: branding, posters, headlines, ui labels, packaging, modern, friendly, techy, confident, clean, modernize, soften geometry, increase impact, improve clarity, rounded corners, squarish rounds, geometric, soft, compact.


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A heavy, geometric sans with rounded-rectangle construction: curves resolve into soft corners and superelliptical bowls rather than perfect circles. Strokes are monoline and robust, with compact apertures and minimal modulation, giving a dense, sturdy texture. Proportions lean slightly condensed in many capitals, while lowercase counters stay open enough for clarity; terminals are mostly blunt and squared-off with generous rounding. The overall rhythm is steady and engineered, with consistent corner radii across letters and numerals.

Works best in branding and display settings where its thick strokes and rounded-rect geometry can be appreciated—logos, headlines, posters, product packaging, and signage. It also suits interface contexts such as buttons, navigation labels, and app headers where a friendly, contemporary presence is desired.

The tone is modern and approachable, pairing a technical, UI-forward structure with softened corners that keep it from feeling harsh. Its chunky silhouettes read as confident and pragmatic, with a subtle retro-digital flavor that suggests contemporary product design.

The design appears intended to merge geometric, system-like efficiency with softened, human-friendly rounding. By using consistent superelliptical forms and sturdy monoline strokes, it aims for high impact and quick recognition in modern graphic and product environments.

Distinctive squarish rounding shows up in bowls and shoulders (notably in letters like C, D, O, U, and m/n), reinforcing a cohesive “rounded-rectangle” motif. Numerals follow the same logic, producing clear, sturdy figures suited to prominent display. Spacing appears balanced for large sizes, creating a strong, even color in words and short lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸