Sans Rounded Mire 3 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, ui display, futuristic, minimal, friendly, airy, clean, modernize, soften geometry, create airiness, brand distinctiveness, rounded, geometric, open counters, soft corners, extended.
This typeface uses an ultra-thin, single-stroke construction with generously rounded corners and smooth, continuous curves. Proportions are expanded horizontally, giving bowls and rounds a stretched, elliptical feel, while straight-sided forms (like E and F) keep crisp, squared geometry softened by rounding. Counters are open and spacious, with a calm rhythm and generous internal white space; joins and terminals remain consistent and unembellished. The numeral set follows the same light, rounded logic, with simple, open forms and a restrained, even line behavior.
Best suited to display settings where its wide proportions and very light stroke can breathe—headlines, short brand statements, logotypes, and packaging with a modern aesthetic. It can also work for large-size interface or motion graphics where a sleek, rounded, minimal voice is desired, while longer text will typically benefit from ample size and spacing.
The overall tone feels modern and lightly futuristic, balancing a technical, geometric structure with approachable softness. Its thin strokes and wide stance create an airy, understated presence that reads as clean and contemporary rather than loud or decorative.
The design appears intended to deliver a sleek, contemporary sans with softened geometry—combining a technical, extended skeleton with rounded terminals for a more personable feel. Its consistent stroke and open shapes suggest a focus on clarity at larger sizes and a distinct, modern signature.
Diagonal-heavy letters (K, V, W, X, Y) appear particularly sharp in silhouette due to the thin stroke, while rounded characters (O, Q, G, S) emphasize the font’s smooth, elongated curves. The design maintains a consistent monoline color, so perceived weight is driven mainly by spacing and width rather than contrast.