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Free for Commercial Use

Sans Contrasted Iljy 5 is a regular weight, wide, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, branding, logotypes, packaging, art deco, editorial, dramatic, stylish, modernist, deco revival, display impact, brand voice, poster drama, luxury tone, geometric, monoline hairlines, stencil-like, sharp, crisp.


Free for commercial use
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A highly stylized sans with extreme contrast between dense vertical blocks and hairline curves and cross-strokes. Many letters use split construction—solid, rectangular stems paired with thin, circular or oval bowls—creating a semi-stenciled look and strong light/dark rhythm. Counters are clean and geometric, with frequent use of near-perfect arcs, pointed joins in diagonals, and crisp terminals. Proportions feel broad and display-oriented, with tall lowercase and simplified, architectural forms that emphasize verticality and negative space.

Best suited to display typography such as headlines, poster titles, magazine covers, and brand marks where its bold verticals and elegant hairlines can read clearly. It can also work for packaging and event identities that benefit from a distinctive, high-style wordmark. For longer passages, it is more effective in short bursts—pull quotes, subheads, or large-scale editorial accents—rather than continuous body text.

The overall tone is theatrical and refined, channeling Art Deco and modernist poster lettering with a contemporary, graphic edge. Its alternating black masses and delicate lines read as luxurious and attention-grabbing, suggesting fashion, nightlife, and curated cultural settings rather than utilitarian text.

The letterforms appear designed to reinterpret classic high-contrast display lettering through a geometric, sans framework, emphasizing striking black shapes against refined hairline structure. The intent is likely to deliver a memorable, logo-friendly voice with strong period cues and a premium, graphic finish.

The design relies on high-contrast detailing and deliberate asymmetries in several glyphs (notably in curved letters and numerals), which heightens its decorative character. At smaller sizes, the hairlines and internal splits may visually thin out or fill in depending on reproduction, so the font’s personality is most pronounced in larger settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸