Sans Superellipse Apre 10 is a light, wide, monoline, upright, normal x-height font.
Keywords: ui labels, signage, tech branding, dashboards, packaging, futuristic, tech, minimal, clean, clinical, modernize geometry, system consistency, tech aesthetic, clarity-first, squared-round, geometric, modular, open counters, low contrast.
This typeface is built from smooth, rounded-rectangle curves paired with straight, uniform strokes, creating a distinctly squared-round geometric skeleton. Curves tend to terminate in flat, horizontal or vertical ends, and many bowls and counters read as superelliptical rather than purely circular. Apertures are generally open, diagonals are crisp, and joins are kept simple, giving the letters a modular, engineered feel. The figures follow the same logic with oval/rounded-rectangle forms and streamlined construction, maintaining a consistent rhythm across uppercase, lowercase, and numerals.
It suits interface typography and product environments where clarity and a modern, engineered look are desired, such as app UI labels, dashboards, and wayfinding. The clean geometry also works well for technology branding, packaging, and short headlines where its distinctive squared-round forms can carry the visual identity.
The overall tone feels contemporary and tech-forward, with a cool, controlled personality. Its softened corners keep it approachable, but the squared geometry and uniform stroke logic give it a precise, futuristic edge.
The design appears intended to blend geometric rationality with softened corners, producing a contemporary sans that feels systematic and highly consistent across glyphs. By repeating superelliptical bowls and flat terminals, it aims for a recognizable, modern voice that remains readable in practical settings.
Distinctive details include the squared-off treatment in characters like C/G/S and the rounded-rectangle bowls in B/D/O/0/8, which reinforce a cohesive “soft-rectilinear” motif. The italic is not shown; all samples presented read as straight and steady with minimal calligraphic influence.