Sans Superellipse Immuh 5 is a very bold, very wide, medium contrast, italic, tall x-height font.
Keywords: headlines, posters, sports branding, gaming ui, tech branding, sporty, futuristic, assertive, technical, energetic, speed, impact, modernity, branding, display, oblique, rounded corners, square-rounded, compact spacing, high-impact.
A heavy, forward-leaning sans with rounded-rectangle construction and softened corners throughout. Curves resolve into squarish bowls and counters, producing a superellipse feel in letters like O, D, and Q, while diagonals and terminals are sharply cut for speed and directionality. Strokes are broadly uniform with subtle modulation from the slant, and the overall stance is wide with sturdy proportions and a tall lowercase body. Numerals and caps keep the same engineered geometry, with squared apertures and clean, trimmed joins that maintain a tight, cohesive rhythm in display sizes.
Best suited to headlines, titles, and short bursts of copy where impact and motion are desirable. It works well for sports and esports identities, automotive or tech promos, packaging callouts, and UI/overlay elements in gaming or streaming where bold, angled letterforms need to hold up at a glance.
The font reads fast and forceful, with a streamlined, performance-oriented attitude. Its oblique posture and blocky roundness evoke motorsport graphics, sci‑fi interfaces, and contemporary athletic branding, balancing approachability (rounded corners) with aggression (hard cuts and strong slant).
The design appears intended to deliver a high-impact, speed-driven sans built from rounded-rectangular forms, combining mechanical consistency with a dynamic oblique stance. The goal seems to be strong recognition and legibility in display contexts while maintaining a cohesive, futuristic geometry across letters and figures.
Counters tend to be rectangular and slightly condensed within the heavy outlines, giving a dense, punchy color on the page. The diagonal emphasis is especially noticeable in forms like A, K, V/W, and the angled terminals in lowercase, reinforcing a sense of motion even in static text.